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Fax: Tel: Neither the author nor the publisher assumes any responsibility for the use or misuse of information contained in this book. All rights reserved. No portion of this book may be reproduced in any form without express written permission of the publisher. As a matter o f fact, i f I do n o t have the intention of starting Wing Tsun gymnasiums in other countries I would n o t have published this b o o k!
Two main facts motivated me to write this book. The deeds of such people are deeply loathed b y real Chinese martial artists who are extremely worried at the damages which would be done to the development o f Chinese kung fu by these impostors. For this reason, I am determined to shoulder the responsibility for introducing the genuine Chines kung fu.
So, for the past few years, I went to many countries to propagate the real Chinese martial-arts. To achieve this purpose, I have established branches schools in a few countries. Memberships of this organisation is open to all k u n g f u instructors or enthusiasts over the world who are interests in taking part in the development of real Chinese kung f u. Secondly, I have for a long time been disappointed with most of the kung fu books published in the western world.
Most of these authors on one hand lack the right qualifications and on the other hand do not take serious attitude in writing and publishing their books. I n China, a great proportion of the martial artists never go inadvertently to the production of specialty of books on kung f u.
This is due to the fact that they have to preserve a good reputation o f themselves as well the style that they are closely hinged. I n such concerns, most of the Chinese martial artists would rather not write any book then to endanger their reputation and that of their style of kung fu they represent i f they make any funny mistakes i n their books.
This is the main reason why there have been very few k u p g f u specialized books i n China. However, it has been quite different i n the western countries. It is needless to say that the books they have written are stuffed with wrong concepts and opinions of their own. As a result, many of the fine Chinese kung fu systems and styles are stained and deformed.
A l l the above mentioned happenings are greatly abhorred by a kung fu enthusiast such as myself. For this I am strongly deter mined that I will try my best, with the most scrupulous and conscientious attitude, to put forward all that I know on kung fu, so that all the lovers of Chinese kung fu all over the world can have a true and clear recognition of Chinese martial arts.
T n presenting this work, whilst not ideal, it is my very sincere wish A that it will be of assistance to the martial arts enthusiast in the western world. For best results, it should be used as a reference, in conjunction with competent tuition.
Leung Ting. Congratulations on the coming out of the book Wing Tsun Kuen, a specialty o n Chinese kung fu, that astounds the world of martial arts. This is only a small part of Master Leung's numerous great achievements. Indeed he is the most respectable among promoters of Chinese kung fu! He is now a famous star of Kung-fu films. He surprised me with his skills during m y first visit t o his gymnasium, when he was teaching his students a lesson.
His performance convinced me of the effective skills, and at the same time, the practicability of the theories of Wing Tsun. That is why I always pay visits t o his gymnasium whenever I have time.
I dare say Wing Tsun Kuen is undoubtedly a practical system of fighting arts. I tip the scales at a solid lbs — surely not what you would expect a Wing Tsun man to look like! But my way to Wing Tsun was not exactly a short-cut. Though I was ranked up to 2nd degree black belt in some styles, and nobody could block my punch, I was not satisfied, and was longing for something different.
I thought I succeeded in doing so, when I was admitted in a school where I was taught the so called Wing Tsun, with the name spelt differently, and the lessons, which I later found to be a mixture of styles that resembled Wing Tsun, were also taught in different ways. IT It is truly a scientific way of winning, which leaves nothing to chance. Now I know the difference between c stone-age brawling and a fighting art. Kiel, Germany, 5th May, Keith R. Law Kay. Philippine Martial Arts Society.
Bill N e w m a n Escrima Instructor, G. The pZcZuAe. E cAA-ma-tn Viaatou T if. HeadquatteAA the I. My interest in martial arts began 15 years ago, when I witnessed a performance i n self-defence. Shortly after that I joined a school for self-defence and judo. I spent seven years practising several systems of Karate, and after being qualified, I set up m y own martial art school i n Copenhagen.
He has changed my attitude, and that of m y students, towards martial arts. Wing Tsun is the most fascinating martial art system I have ever come across. Its powerful, fast and graceful movements, particularly the deadly accurate straightline attacks, without the use o f unnecessary force to defeat an opponent, contribute t o the uniqueness and supremacy of the Wing Tsun System.
When I was younger, I won, for number of times, the judo championship in Yugoslavia, igfejqfeand was amongst the top characters in the Yugoslavian judo circles. In after years, I started to practise karate, nunchaku and chain. I n karate, I had obtained the 4th Dan black belt and became one o f the formost leaders in the karate field in those days. I n nunchaku, I had acquired the 7th Dan.
I t is only in chain that I have never been able to obtain any recognized qualification. However, since , all the above mentioned titles have become mean ingless to me. I am a Wing Tsun enthusiast. For the purpose of pursuring with this art, I went, for many times on the first two years since , to Ger many and Austria to practise under the instruction of the German head disciple of Grandmaster Leung Ting.
The most encouraging happening took place in , when I was able to be admitted by Grandmaster Leung Ting to become his direct student. More and more Yugoslavians are now practising Wing Tsun Keun, like myself, all o f these followers are becoming deeply and passinately de voted to this style of martial arts, which is so scientific and persuasive.
Slavko Truntic 20 Nov. Yugoslavia Branch Headquarters. The conception of genealogy in the mind of the Chinese people plays an important part in the consolidation o f a high esteem towards the origin of a kung-fu style and its line of succession. On the other hand, the differences in thought, power of attainment, interest, and physical adaptability, coupled with the change o f age, area, environments and customs, together give rise to the different kinds of kung-fu styles and various skills and techniques, which are varied by succeeding genera tions, according to their favour or dislike.
I t is, therefore, a common habit for the disciples of a system o f certain kung-fu techniques t o set up, for the sake of commemorating the founder of their system, a religious-sensed STYLE, called by the. The Chinese term "moon pai", which is in related t o localism. A set o f martial arts theories, common usage, implies a system, sect or style.
I t before its birth, is always under the influence o f also bears the sense o f a group, a society or a party certain natural conditions, which can not easily be of people. Hence i t is n o t a perfect way to translate altered by one person at one time.
It is thus the Chinese term "PAI" into "STYLE", as the nonsense to say that someone can originate a latter does not include the full meaning of the fighting system simply from the ideas which came former. One who has never practised kung-fu can never create a kung-fu system from a As regards the number of Chinese kung-fu sudden inspiration. These natural conditions are i n styles, they probably amount to more than a fact the rudiments from which a kung-fu style is hundred in all.
Of these styles, many are named derived. On the other hand, these rudiments are after places or people; some are named according to affected by the personal experience of the the particular technique of that style; still others originator, obtained from what he sees and what he take their names from legends, historical people, or hears i n the area, and the customs, culture and life names of objects.
There are cases when two styles of that area. The following is a good illustration. Japan, Judo and Karate-Do that had already been Sometimes i t so happens that a fighter who has well developed there. This proves that the forming learnt the techniques of several styles may incor o f the theory of a martial art style is closely related porate these techniques into a new form and call it to localism. Many people doubt whether i t is correct to call i t a new style, as i t lacks originality.
As regards the different sects of Chinese kung- fu, they can be classified into the northern styles. Generally speaking, the " r i g i d " intentionally created by one originator. As regards the "flexible" group, emphasis tions, alterations and improvements. System after seeing a fight between a fox and a crane, of Miss Y i m Wing Tsun's encountering the Wing Tsun System is derived from the Fukien local bully, of the fire at the Siu Lam Monastery or System of kung-fu, which is related to the Hakka even of the existence of Ng Mui herself!
The System. Their common features are that during description concerning the founding of a Chinese fights, pugilists of these systems prefer short steps kung-fu style is usually legendary, or even mythical, and close fighting, with their arms placed close to so much so that i t often leads to disbelief, be it the chest, their elbows lowered and kept close to verbal or written.
This is partly due to the fact that the flanks to offer it protection. So, i t is better of certain well-known classics for their work, in to say that the Wing Tsun System is a collection of order to attract more readers. Many books, includ techniques passed among the residents of the coastal ing those on martial arts, are found to be forged in. Therefore we should regard books about the origin of martial arts as mythicised fictions, unless factual evidence is found in them to prove the reality o f their descriptions.
As regards the description o f the emergence o f the Wing Tsun System in the following chapter, a greater part of it, I dare say, though voluminous enough for a novel, is without proof and cannot be confirmed, except the part concerning the tales of Doctor Leung Jan and things thereafter.
Of course, the final decision Notes: on their authenticity still rests with the reader. Dama Butterfly Style, which all have the Please also refer to Page Tsui Fa, for a time went into hiding among the Miao The incident gave rise to two different tales passed and the Yao tribes between Szechwan and Yunnan among two groups of people in China.
King Chow. She was more tolerant towards retaliation for being dismissed from the Monastery.
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